Spike Lee’s landmark 1989 film, Do the Right Thing about racism and intolerance unfortunately still rings true after all these years. Has much changed? Has the racial hatred shifted a bit to accommodate undocumented aliens, people of Middle-Eastern decent, Muslims, and LGBTQ folks? Are we living in a post-race era now that Obama has been re-elected? I don’t think so. The themes of racial tension, intolerance, ignorance, and injustice remain strong. The only thing that’s changed is the gentrification of New York and its boroughs. And perhaps there has been a slight shift in which group gets the worst thrown at them. Otherwise, the chaos and violence of Spike Lee’s masterful film sadly remain true. We screened this for Black History Month at the University in February. A small group of film-goers spent several hours visiting the 1980′s Brooklyn neighborhood of Bedford-Stuyvesant and met Lee’s Mookie who walks the line between the African-American, Hispanic, and Italian factions. Do the Right Thing‘s outstanding ensemble cast includes Ossie Davis, Ruby Dee, Danny Aiello, John Tuturro, and Rosie Perez. The genius of Spike Lee’s film is that it pulls you in with an almost whimsy, then from out of nowhere, the action takes a dark turn and the grave reality of the neighborhood dysfunction rears its ugly head. Violence and destruction bulldoze through the final scenes of the film. You are left wondering whose side is right? Does everyone have a point? Is everyone partially right? Does violence ever solve anything? There’s very few inherently good folks or bad folks. Most of the characters are like the real world, complicatedly somewhere in-between. Which is why this film stays with you for days after and makes you ponder your own actions as you navigate the world. 5 out of 5 for one of my favorite directors. If you’ve already seen Do the Right Thing, consider revisiting it again or try one of the many other brilliant films from Mr. Lee’s oeuvre. My favorites include Crooklyn, He Got Game, Summer of Sam, Bamboozled, 25th Hour, and Inside Man.
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